A few weeks ago I went to the Anish Kapoor exhibition at the Hayward Gallery in London. I knew of Kapoor's sculpture work and had seen the brilliant Cloud Gate bean-shaped mirror sculpture in Chicago several years back, but I wasn't prepared for some of the works in this new exhibition. In particular the 'Vantablack' images. Image: Anish Kapoor at the Hayward Gallery/Southbank Centre Vantablack is a substance created 'with nanotechnology that absorbs up to 99% of visible ligh

1. What direction does the room face, and how do your sash windows affect the light?Victorian terraces are often built in long rows facing the same direction, so front and back rooms can have very different light quality: one flooded with morning sun, the other permanently in shade. Original sash windows also tend to be smaller and more divided than later Edwardian glazing, letting in less light overall, which changes how a colour reads compared to a swatch held up in a brigh

Most period hallways are dark for structural reasons, not decorating ones. A narrow hall lit only by a fanlight or a small half-landing window, with no direct daylight source of its own - that's just how these houses were built. Here are three fixes I come back to most often on Victorian and Edwardian projects. 1. Paint the woodwork a bold, dark colour The instinct with a dark hallway is usually to paint everything white and hope for the best. It doesn't work - white woodwork

Back in 2018, my SW London Edwardian semi-detached house was renovated from top to bottom. We'd moved in the previous year and lived in what felt like a very dusty museum for several months before embarking on the work.

Every period home renovation reaches the same moment. The carpet comes up, and you hold your breath.

Adding an extension to a period home is one of the decisions homeowners worry about most. Here's what I learned from doing it to my own Edwardian semi - including the planning dispute, the design choices, and what I'd do differently.

An In-Depth Interview with South West London Interior Designer Hannah Ashe For many homeowners, buying a property is just the beginning. The real journey starts when you begin shaping that space into a home that works for your lifestyle. For buyers across South West London, from Wimbledon to Putney and beyond, interior design plays a key role in how a property feels, functions, and even how it holds its value over time. This blog post is an edited repost of an interview with

Are you still working from a desk that was hurriedly set up during lockdown… and never properly thought about again? You’re not alone. Many London homeowners carved out a temporary work-from-home setup in 2020. The dining table became a desk. A spare bedroom became “the office.” A dark corner became “good enough.”

You’ve bought the period property of your dreams and moved in, but now realise that the Victorian charm you fell in love with is hiding below many layers of (probably leaded) paint, peeling wallpaper and layouts that aren’t practical for modern family life.

This is the third post in my Design Clinic series where I answer your interior design challenges. Sarah sent me this photograph of the front door of her Edwardian terraced home. My first thought was "Wow! Amazing tiles!"

As we head towards winter in the UK, it felt fitting that I should write about the subject of heating and its role in interior design.

Thanks to Julia for sending in photos of her in-progress living room (above). This is a 1905, Edwardian home and Julia wants to create a 'cosy, timeless room that celebrates craftsmanship, light and everyday comfort'. She has been restoring it with an Arts and Crafts influence (as you can see in the beautiful ceiling rose).